Category Archives: Arts

Dr. Spin’s Best Albums of the Year: 2012 Edition

SpideyinaTreeby Dr. Spin

I admit to having something of a sugar addiction. Although I can generally manage on a regular basis, the holiday season is a bit more difficult to navigate. In addition, this year I have been trying to shield my daughter from the onslaught of refined sugar as it makes the rounds  My grandmother, however, her great-grandmother, has a more insidious agenda...inside gender over at the Pharm…

 

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Brubeck’s “Time Out:” Acadacemicizing Jazz

TimeOutby Dr. Spin

This month, the world lost two incredible and historically important musicians. Doubtlessly, I have nothing but love and respect for the music and life of Ravi Shankar, but Dave Brubeck was an important personal influence. By extension, Brubeck influenced virtually every student to whom I have had the pleasure of teaching jazz.
The Dave Brubeck Quartet’s unlikely hit Take 5 (written by saxophonist Paul Desmond) from their 1959 album Time Out is a rare beast in the jazz realm. Its infectious melody, which effortlessly flowed over a seemingly un-swingable time signature, allowed the tune to cross over into mainstream popularity. Hiding complexity within accessibility is a surefire way for a song to earn my adoration, so Take 5 had huge appeal...take five over at the Pharmacy

 

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“The Money Store” and Death Grips’ Caustic Veneer

deathgripsby Dr. Spin

For the majority of 2012, there has been an indie buzz surrounding Death Grips, but it wasn’t until the recent surreptitious release of their third album No Love Deep Web that I took notice. I say surreptitious because this album was not printed on a CD, nor was its tracklist available on ITunes. It was, in actuality, to be postponed by their record company and released next year.

Death Grips, however, had been promising their growing fanbase that the album would be released in 2012, so in response, they simply posted the entire album to the web (with a rather shocking album cover, I might add) without the consent of their record company. There were subsequent heated exchanges between the two entities, most of which the band made public, and in the end, their unapologetic act of defiance against the conventions of commodity got them dropped.  Drop in or drop out at the Pharamacy…

 

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North Atlantic Oscillation’s Shimmering Light in the Fog

Captureby Dr. Spin

For a prog rock album to surpass the status of guilty pleasure or, even worse, token in my library, it can’t rest on the laurels of the past too much. Admittedly, I have my share of favorite retro-prog projects, but they are often consumed quickly and discarded. For this reason, I generally take greater notice when an indie or alternative site calls attention to a new prog band than when a progressive rock site heaps praises on the next big thing.

Every now and then, though, a group comes along that breaks the expectations of what progressive rock is, but whose proggish adventurousness can’t be ignored by the more conservative communities. The last time this happened, I discovered Mew, a band that has evolved into one of my all-time favorites. I still lurk on progressive rock sites for rare instances like this.   Lurk over at the Pharmacy…

 

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Dr. Spin’s Best Albums of 2012 Part 1: Numbers 11-20

by Dr. Spin

Those of you that are paying attention might be wondering about a couple of loose ends from the past few months, so I’m gonna take this opportunity to pat myself on the back. Back in August, I took, and passed, my Sandan test at aikido summer camp. Earlier this month, I also passed my CrossFit Level-1 certification. Even better, by the end of this week, I’ll have a little space carved out for anyone that might want to work out too, because we are signing on the new house this Friday.

Things seem to be coming together, and they are, but at the moment we are living in chaos. The apartment is in shambles and my wife and I are exhausted, yet we press on.  If there is anyone out there who has thought about buying stock in an energy drink company, do it before this weekend. I feel confident that’s going to be the only thing keeping me going by then …find out more at the Pharmacy

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Letting Up Despite Great Faults and the Emerging Synthgaze

by Dr. Spin

It was the second morning of my CrossFit level-1 certification program, and I was feeling pretty euphoric. I had gotten up early, eaten a well-rounded paleo-zone breakfast, and studied my materials while listening to the Asian shoegaze compilation Half Dreaming. Stepping out of my hotel room, I was experiencing gratitude for the life I have, as well as the obstacles that were in my way that grant me the perspective to appreciate my good fortune.

I was even thankful for the questionable cup of freshly brewed hotel coffee I balanced in my hand as I juggled my bags and keys. Untogether, an album by a band called Letting Up Despite Great Faults, was in the CD player. This was a conscious, deliberate decision that I had prearranged the evening before. It seemed a fitting soundtrack for the weekend, because after all, the album was in my hands entirely due to CrossFit… Happy Thanksgiving!

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The Peaceful Haze of “Half Dreaming”

by Dr. Spin

I moved back to Austin in the summer of 2009 to an apartment complex that I now remember as idyllic. It was very clean and well-kept, our neighbors were mostly pretty realistic and mature, and my new wife felt safe enough to walk to the gym in the morning dark. It was quite perfect for us at the time, and it represented the promise of the new life we had begun to lead in Austin. Additionally, I was finishing my Master’s thesis in ethnomusicology, and I was riding a wave of academic momentum.

As I began to break free of the constraints of my study, I focused that energy on the study of Asian music. I took Japanese language lessons the following summer and studied the shakuhachi as an investment in my potential future as an ethnomusicological scholar… invest in your potential at the Pharmacy.

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The Jellyfish Family Tree Part 5: A Flashback for Benson

by Dr. Spin

I posted last year about my history with Brendan Benson’s catalog, but I left out a tidbit of information that only now, within the context of this Jellyfish project, gains relevance. It is true that I discovered his debut quite accidentally and purchased it sight on scene, but here’s the “LOST” flashback: When I cracked it open and began checking out the liner notes, I was stunned to find that several of the songs were co-written with Jason Falkner.

By 1997, Presents Author Unknown had already earned Falkner a spot in my all-time greats list, and listening to One Mississippi with an ear for his influence undoubtedly contributed to my adoration of that album. Benson became another of my power pop favorites, and I have loyally followed him ever since…   find a loyal following over at the pharmacy.

 

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