
Gary P. Nunn stands as a cornerstone of Texas country music, his career spanning over five decades and leaving an indelible mark on the genre. Born in Okmulgee, Oklahoma, and raised in Brownfield, Texas, Nunn’s musical journey began in his youth, playing in various bands during the 1960s. His pivotal role in the progressive country movement of the 1970s, particularly in Austin, solidified his status as a Texas music icon .
One of Nunn’s most renowned compositions is “London Homesick Blues,” famously known for its “I wanna go home with the armadillo” chorus. This song became the theme for the PBS concert series Austin City Limits from 1977 to 2004, encapsulating the spirit of Texas music and introducing it to a broader audience .
Another significant work is his 1984 album Home with the Armadillo, which captures the essence of the Texas music scene during that era. The album showcases Nunn’s storytelling prowess and his ability to blend traditional country with contemporary influences, resonating with both longtime fans and new listeners.
In 1973, while on tour with Michael Martin Murphey, Nunn found himself in London, staying in a flat with fellow musicians. The accommodations were less than ideal: the heat was turned off from 6 a.m. to 6 p.m., and the weather was consistently cold and rainy. This environment led Nunn to write “London Homesick Blues” as a way to pass the time and express his feelings of discomfort and longing for Texas. He described the experience as “just an exercise in writing a song” and never anticipated the song would gain significant attention .
The song’s breakthrough came when Jerry Jeff Walker, during a live recording session for the album ¡Viva Terlingua!, invited Nunn to perform the song. The audience’s enthusiastic response turned “London Homesick Blues” into a crowd favorite.
In 2010, Nunn released Taking Texas to the Country, an album that reflects his deep connection to Texas and its musical roots. The album traverses various musical landscapes, from the cosmic cowboy vibes of “Deja Vu” to the Cajun rhythms of “Down to Louisiana,” and even touches on reggae with “It’s Not Love.” Each track offers a unique perspective on life, love, and the Texas experience.
For those eager to experience Gary P. Nunn’s live performances in Texas during May and June 2025, he has scheduled appearances that promise to deliver his signature blend of storytelling and musical artistry. Notably, on May 16, 2025, Nunn will perform at the Swing Strong Charity for Parkinson’s event at Tapatio Springs Hill Country Resort in Boerne, Texas. This event not only offers an opportunity to enjoy his music but also supports a noble cause.

Additionally, Nunn is set to perform at Main Street Crossing in Tomball, Texas, on June 6, 2025. This intimate venue provides a perfect setting for fans to experience his music up close and personal.
Gary P. Nunn’s enduring influence on Texas country music is a testament to his talent, dedication, and love for his craft. Whether through his timeless songs or his engaging live performances, he continues to captivate audiences and uphold the rich musical heritage of Texas.
In recent years, those lucky enough to spend time with Gary P. Nunn have witnessed firsthand what makes him such an enduring presence—not just in Texas country music, but as a man. Behind the legend of the cosmic cowboy lies a deeply grounded, health-conscious artist who has quietly defied the stereotypical aging arc of the hard-living musician. It turns out, his secret to a youthful appearance and lasting vitality isn’t much of a secret at all. Nunn is a straight shooter in every sense. He lives clean, avoids the self-destructive temptations often associated with life on the road, and keeps his focus on the music and the people who care about it.

One of the most fitting places to catch Nunn in his element is the legendary Terlingua Chili Festival, an event as wild and iconic as Texas itself. Held each fall in the remote Big Bend region, the festival draws chili cooks, music lovers, and desert wanderers from across the country. For many, Nunn’s performances there are a highlight—a ritual as essential as the chili itself. His set becomes a kind of reunion, where seasoned fans and curious newcomers alike come together beneath the wide West Texas sky to sing along to his classics.
Gary P. Nunn doesn’t need flash or spectacle to command attention. He shows up with his guitar, his stories, and that easy, unforced charm that can only be earned. Whether he’s headlining a festival stage or playing an intimate venue, he continues to prove that authenticity never goes out of style.










