Category Archives: Arts

Astra’s “The Black Chord:” Thin Lines and Broad Palates

by Dr. Spin

Initially, it wasn’t Astra’s sound that put them on my radar – it was the pale blue landscape from the cover of The Weirding. It looked like a Roger Dean landscape that had burned to the ground, and I couldn’t resist checking it out. When it finally made it into rotation, I consistently enjoyed its idiosyncratic mellotron-drenched approach to retro-prog. Overall, however, it was a bit overlong, oblique, and, unfortunately, it fell through the cracks in the long term.

Still, Astra presented themselves as the kind of adventurous underground group that I like to adopt and promote… adopt an adventurous promotion over at thePharmacy.

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Scott Walker: A 30th Century Man at the 30th Street Station

by Dr. Spin

When I was growing up, I never really considered public transportation as a viable option. The trains and buses in Austin were always too convoluted, too unreliable. If I have the opportunity, then, to take a train somewhere rather than renting a car, I rather enjoy doing this.

Navigating an unknown train system is eye-opening and rewarding, but also time-consuming. Knowing this, I stacked my phone with several albums, but after 7 hours of travel, and very few places to plug in during layovers, charge time was at a premium. I was,.. recharge over at the Pharamcy.

 

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everyday: The Photography Of Leonard Volk

by Nicholas Bostick

Leonard Volk was born in 1928 and over the next 84 years he  amassed numerous awards in the fields of architecture and photography. This multi-talented Dallasite is now making the rounds with his book everyday, a collection of photographs and essays compiled by Volk. The sentimentally casual nature of the photographs brings the emotion of the individual experience to the forefront, but capturing the majesty of the mundane.   Continue reading →

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Indonesian Prog, Aikido, & CrossFit: Plane Ride to Jersey

by Dr. Spin

On the plane ride to aikido summer camp in New Jersey, I spent some time with a compilation called Those Shaking, Shocking Days. This is a collection of Indonesian progressive and psychedelic rock that I have struggled with since January. The existence of the scene that produced this music is a fascinating example of musical resistance in an oppressive regime. As it exists out of context, however…find the context over at The Pharmacy

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Quakecon 2012

By Nicholas Bostick

This was my first experience with Quakecon (a convention based around Richardson based id Software’s “Quake” franchise), and as someone wisely pointed out, it probably won’t be my last. Quakecon, known for being “The largest LAN party in North America”, has been Continue reading →

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July Roundup: Lovin’ the Third Degree

by Dr. Spin

On Tuesday, I am going to aikido summer camp to take my third degree black belt (sandan) test. In my organization, sandan is the last rank that a student can test for. Further promotions only occur through recommendation.  This is, essentially, my last test.

Of course, I want it to be representative of the work I have put in and respectful of tradition, so this month has been somewhat consumed with preparations. My idea of what that means, however, has changed over the years.  Bob is watching you even at the Pharmacy…

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Sigur Ros’ “Valtari” and the Counterculture of Hope

It often seems that the need to halt the conspiratorial and destructive spiral of contemporary greed and ambition is more pronounced than ever, but the struggle to just to make ends meet from one day to the next often takes precedence. For me, this dissonance between action and inaction generates a troubling undercurrent of frustration, shame, and helplessness.

I feel even more disturbed when I, an unapologetic music consumer, consider the roles that mediated music plays in this system. On the one hand, it has the potential to provide meaning (and perhaps a sinister distraction) in a culture of isolation.         Continue reading →

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Steve Reich’s “Tehillim:” Walking, Thinking, and Dreaming

When we finally got to study contemporary music in my undergraduate studies, the topic was noticeably rushed. Perhaps this reflected the musical preferences of my professor, who seemed to get bogged down by his passion for romanticism, or perhaps it was because the 20th century was still in progress, but at any rate, we were encouraged to fend for ourselves on the subject.           Continue reading →

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