Tag Archives: Film

Retro Movie Review: Life of Brian (1979)

Monty Python’s Life of Brian came out in 1979, directed by Terry Jones, written by all six Pythons together, and produced by John Goldstone, with George Harrison quietly saving the whole production by financing it himself after the original studio got cold feet and walked. Graham Chapman plays Brian Cohen, born in the stable next door to a rather more famous baby on the same night, and cursed for the rest of his short life with extraordinarily bad timing. I have loved this film for longer than I can honestly account for, and every time I sit back down with it, I’m struck again by how a movie this silly manages to also be this wise.

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Retro Movie Review: The King and I (1956)

There’s a moment in the King and I when Yul Brynner, playing a king who’s just been told by a schoolteacher that he’s wrong about something, doesn’t yell. He goes still. You watch a man who’s never once been contradicted try to figure out what to do with that feeling. Everyone remembers the big ballroom dance, the hoop skirts, the row of children lined up by height. What you should really watch for is that stillness, because it’s the best thing in the movie, and it’s why this one has held up so much better than most musicals from its era.

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Retro Movie Review: The Philadelphia Story (1940)

The Philadelphia Story opens with one of the great silent gags in American film. Cary Grant, playing the newly ex-husband of Katharine Hepburn, storms out of their house carrying golf clubs while she trails behind hurling his belongings after him. She snaps one of his clubs over her knee. He responds by putting his open palm flat against her face and shoving her, hard, backward through the front door. Not a word is spoken. The whole marriage, its wreckage, and roughly forty percent of the movie’s argument about who these two people are to each other, plays out in about fifteen seconds before the title card even finishes.

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Before Parts Unknown, There Was Provincetown

Nobody has actually reviewed Tony yet. Rotten Tomatoes has a page and no score. There’s no wide critical consensus, no embargo lift, nothing but a trailer, a featurette, and one room full of chefs who got to see it early. So take this for what it is: a bet, not a verdict. But it’s an informed bet, and after two decades writing about the people this movie is trying to honor, I’ve got opinions.

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Retro Movie Review: The Trouble with Harry (1955)

There’s a dead man on a Vermont hillside, and nobody in this movie can be bothered to call the police. That’s the joke. It shouldn’t work. It works.

Alfred Hitchcock spent two decades getting rich off making people afraid, and then in 1955, at the absolute height of it, he made a movie about a corpse nobody can work up the nerve to be scared of. Harry turns up dead on a hillside outside a New England town so pretty it looks painted, and the whole town’s reaction amounts to a shrug and a sigh. Captain Wiles is pretty sure his rifle did it. Miss Gravely thinks it might’ve been her hiking boot. The local painter is mostly annoyed Harry’s ruining the light. Nobody screams.

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Retro Movie Review: Yankee Doodle Dandy (1942)

There is a moment early in Yankee Doodle Dandy when James Cagney, playing George M. Cohan as a boy performing on a vaudeville stage, turns to the audience with his chin out and his eyes bright and something in his posture that says: I know exactly what I’m doing and I know you know it too. He’s maybe twenty seconds into the performance. The audience in the film laughs. The audience watching the film laughs. Eighty years later, nothing about it has aged.

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Retro Movie Review: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Stanley Kubrick read more than forty books about nuclear war before he made this film, and what he concluded was that nobody really knew anything and the whole situation was absurd. That conclusion is the movie. It is the funniest film ever made about the end of the world, and the most frightening, and sixty years after its release it has not stopped being either one.

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Retro Movie Review: Rear Window (1954)

Rear Window (1954) — Directed by Alfred Hitchcock. Starring James Stewart, Grace Kelly, Thelma Ritter, Wendell Corey, Raymond Burr. 112 minutes. Rated PG.

Alfred Hitchcock made films that asked you to be uncomfortable with yourself, and Rear Window is the most honest of them all about why. There is no monster in this film, no thunderstorm, no castle on a hill. There is only a window, a courtyard, a man in a wheelchair, and the oldest of human impulses: the need to watch other people without being watched back. By the time the film is over, Hitchcock has made you complicit in that impulse and then made you answer for it. That is the genius.

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